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A. S. Byatt Abdulrazak Gurnah Alan Bennett Alan Brownjohn Alan Cumming Albert Camus Alberto Manguel Aldous Huxley Aleksandr Solzhenitsyn Alex Garland Alice Walker Amor Towles Amos Oz Amy Tan Anne Frank Anne Lamott Ann Patchett Anthony Burgess Antoine de Saint-Exupéry Anton Chekhov Arundhati Roy Augusten Burroughs Banana Yoshimoto Barbara Kingsolver Bernhard Schlink bildungsroman Bob Dylan book component Boris Pasternak Bret Easton Ellis Charles Baxter Charles Frazier Charles Wright Cixin Liu classic Cormac McCarthy cyberpunk Daniyal Mueenuddin David Mitchell detective novel Donna Tartt Douglas Coupland Douglas Stuart Dylan Thomas E.L. Doctorow Eleanor Catton Elfriede Jelinek Elie Wiesel Elizabeth Strout Emily Dickinson Ernest Hemingway Ethan Hawke Evelyn Waugh experimental fiction F. Scott Fitzgerald Featured Author Fernando Pessoa fiction Frances Mayes Frank Herbert Frank McCourt Franz Kafka Fyodor Dostoevsky Gabriel García Márquez Garrison Keillor genre blending George Saunders George Seferis Geraldine Brooks gothic fiction Han Kang Hanya Yanagihara Harold Bloom Harper Lee Haruki Murakami Henry David Thoreau Herman Melville Hermann Hesse Hilary Mantel historical fiction Ian McEwan Italo Calvino J. D. Salinger Jack Kerouac Jamaica Kincaid James Franco James Frey James Joyce Japanese literature Jessica Hagedorn JG Ballard Jim Crace John Barth John Gardner John Updike Jonathan Franzen Jonathan Safran Foer Joseph Heller Jostein Gaarder Joyce Carol Oates Jules Verne Julian Barnes Kaavya Viswanathan Kazuo Ishiguro Ken Liu Keri Hulme Kingsley Amis Kiran Desai Knut Hamsun Kurt Vonnegut Larry McMurtry Lauren Groff literary archetype literary concept literary device literary element literary form literary framework literary genre literary movement literary style literary technique literary term literary theory literature Lucia Berlin magic realism Margaret Atwood Marilynne Robinson Mark Twain Markus Zusak Mark Z. Danielewski Martin Amis Matthew McConaughey memoir metafiction Michael Cunningham Michael Ondaatje Michael Shaara Michel Faber Mikhail Bulgakov Milan Kundera narrative structure narrative style narrative technique Neal Stephenson Nobel Prize for Literature nonfiction Pat Conroy Patrick Suskind Paul Auster Paul Scott Penelope Lively Peter Nadas Petrarch Philip Larkin Philip Roth Phyllis Rose poetic device poetry postmodernism reading Richard Flanagan Robert Bloch Robert Louis Stevenson Robert M. Pirsig Roberto Bolaño Roland Barthes Ronald Shwartz Rumi Russell Banks Russian novel Ruth Ozeki Salman Rushdie Samuel Menashe science fiction Shehan Karunatilaka short stories Shusaku Endo speculative fiction Stephen King Steve Martin Sue Monk Kidd Sylvia Plath Téa Obreht Ted Hughes Terry Eagleton Thomas Mann Thomas Pynchon Tim O'Brien Tim Parks Tom Robbins Toni Morrison translated book Umberto Eco Vikram Chandra Vikram Seth Virginia Woolf Vladimir Nabokov W. G. Sebald W.H. Auden Walt Whitman Woody Allen writing Yann Martel young adult fiction