A. S. Byatt
Abdulrazak Gurnah
Alan Brownjohn
Alan Cumming
Albert Camus
Aldous Huxley
Aleksandr Solzhenitsyn
Alex Garland
Alice Walker
Amos Oz
Anne Frank
Anne Lamott
Ann Patchett
Anthony Burgess
Anton Chekhov
Augusten Burroughs
Bernhard Schlink
bildungsroman
book component
Boris Pasternak
Bret Easton Ellis
Charles Wright
classic
Cormac McCarthy
cyberpunk
Daniyal Mueenuddin
David Mitchell
detective novel
Douglas Coupland
Dylan Thomas
E.L. Doctorow
Eleanor Catton
Elfriede Jelinek
Elie Wiesel
Emily Dickinson
Ernest Hemingway
Frank McCourt
Franz Kafka
Gabriel Garcia Marquez
George Seferis
Geraldine Brooks
Harold Bloom
Harper Lee
Haruki Murakami
Hermann Hesse
Hilary Mantel
Ian McEwan
Italo Calvino
Jamaica Kincaid
James Frey
James Joyce
JG Ballard
Jim Crace
John Barth
John Gardner
John Updike
Jonathan Franzen
Jonathan Safran Foer
Jostein Gaarder
Joyce Carol Oates
Jules Verne
Julian Barnes
Kaavya Viswanathan
Kazuo Ishiguro
Keri Hulme
Knut Hamsun
Kurt Vonnegut
Larry McMurtry
literary device
literary genre
literary movement
literary style
literary technique
literary term
literary theory
magic realism
Margaret Atwood
Marilynne Robinson
Mark Twain
Mark Z. Danielewski
Martin Amis
metafiction
Michael Cunningham
Michael Ondaatje
Michael Shaara
Michel Faber
Mikhail Bulgakov
Milan Kundera
Neal Stephenson
nonfiction
Pat Conroy
Patrick Suskind
Paul Auster
Paul Scott
Penelope Lively
Peter Nadas
Petrarch
Philip Larkin
Philip Roth
poetry
postmodernism
Richard Flanagan
Robert Louis Stevenson
Robert M. Pirsig
Roberto Bolano
Roland Barthes
Rumi
Russell Banks
Ruth Ozeki
Salman Rushdie
Samuel Menashe
short stories
Shusaku Endo
Stephen King
Sylvia Plath
Ted Hughes
Terry Eagleton
Thomas Mann
Thomas Pynchon
Tom Robbins
Vikram Chandra
Vikram Seth
Virginia Woolf
Vladimir Nabokov
W. G. Sebald
W.H. Auden
Walt Whitman
Yann Martel