38 Alliteration Examples to Enhance Literary Appreciation

Alliteration is the repetition of initial consonant sounds in closely connected words. It is commonly used in literature, poetry, and everyday language to enhance rhythm, tone, and emphasis in writing.

This article presents 38 examples of alliteration across various categories to demonstrate how it adds musicality and memorability to speech and text.

Famous Examples in Literature (7 examples)

“From forth the fatal loins of these two foes…” – William Shakespeare (Romeo and Juliet)
Alliteration with “f.”
“These are but wild and whirling words, my lord.” – William Shakespeare (Hamlet)
Alliteration with “w.”
“Fair is foul, and foul is fair…” – William Shakespeare (Macbeth)
Alliteration with “f.”
“Whereat, with blade, with bloody blameful blade…” – William Shakespeare (A Midsummer Night’s Dream)
Alliteration with “b.”
“Full fathom five thy father lies…” – William Shakespeare (The Tempest)
Alliteration with “f.”
“His soul swooned slowly as he heard the snow falling faintly…” – James Joyce (Dubliners)
Alliteration with “s” and “f.”
“The sun was shining on the sea, shining with all his might.” – Lewis Carroll (Through the Looking-Glass)
Alliteration with “s.”

Examples in Poetry (6 examples)

“For the sky and the sea, and the sea and the sky…” – Samuel Taylor Coleridge (The Rime of the Ancient Mariner)
Alliteration with “s.”
“The fair breeze blew, the white foam flew, and the furrow followed free.” – Samuel Taylor Coleridge (The Rime of the Ancient Mariner)
Alliteration with “b” and “f.”
“While I nodded, nearly napping, suddenly there came a tapping…” – Edgar Allan Poe (The Raven)
Alliteration with “n” and “t.”
“Doubting, dreaming dreams no mortal ever dared to dream before.” – Edgar Allan Poe (The Raven)
Alliteration with “d.”
“Sing to me of the man, Muse, the man of twists and turns…” – Homer (The Odyssey)
Alliteration with “m” and “t.”
“The woods are lovely, dark and deep…” – Robert Frost (Stopping by Woods on a Snowy Evening)
Alliteration with “d.”

Alliteration in Famous Speeches (4 examples)

“Veni, vidi, vici.” – Julius Caesar
Alliteration with “v.”
“We will not tire, we will not falter, we will not fail.” – George W. Bush
Alliteration with “f.”
“Let us go forth to lead the land we love…” – John F. Kennedy
Alliteration with “l.”
“Of the people, by the people, for the people…” – Abraham Lincoln
Alliteration with “p.”

Alliteration in Popular Culture (11 examples)

“Peter Piper picked a peck of pickled peppers.” – Traditional
Alliteration with “p.”
“She sells seashells by the seashore.” – Traditional
Alliteration with “s.”
“Sound of Silence” – Simon & Garfunkel
Alliteration with “s.”
“Breaking Bad” – TV Show
Alliteration with “b.”
“Mad Max” – Movie
Alliteration with “m.”
Dunkin’ Donuts – Brand
Alliteration with “d.”
Coca-Cola – Brand
Alliteration with “c.”
Best Buy – Brand
Alliteration with “b.”
PayPal – Brand
Alliteration with “p.”
Bed Bath & Beyond – Brand
Alliteration with “b.”
Krispy Kreme – Brand
Alliteration with “k.”

Everyday Examples (10 examples)

“Bigger and better.”
Alliteration with “b.”
“Busy as a bee.”
Alliteration with “b.”
“Right as rain.”
Alliteration with “r.”
“Green with greed.”
Alliteration with “g.”
“Time will tell.”
Alliteration with “t.”
“Dead as a doornail.”
Alliteration with “d.”
“Safe and sound.”
Alliteration with “s.”
“Back to the basics.”
Alliteration with “b.”
“Good as gold.”
Alliteration with “g.”
“Fit as a fiddle.”
Alliteration with “f.”

The alliteration examples above are characterized by the repetition of the same initial consonant sound in closely placed words, creating a rhythmic and musical quality within a phrase or sentence. This technique enhances the aesthetic appeal of language, emphasizing particular themes or emotions. For example, in the phrase “Peter Piper picked a peck of pickled peppers,” the repeated “p” sound creates a catchy and memorable effect.

It’s worth noting that mere repetition of a word—the recurrence of the same word or phrase without regard for sound patterns—does not contribute to the sonic quality of the text; hence, while recurrent use can reinforce ideas, it cannot be considered a form of alliteration in absence of cadence since it lacks the nuanced auditory texture that strict alliteration provides.

Assonance and Consonance

Alliteration is often discussed alongside other sound devices such as assonance and consonance. Assonance refers to the repetition of vowel sounds within closely positioned words, creating a harmonious effect, while consonance involves the repetition of consonant sounds, typically at the end or middle of words.

Although alliteration attends to the articulation of awesome agreements at the outset of words, assonance and consonance concentrate on congruous correspondences within words. Assonance achieves aural artistry by amplifying alike vowel sounds, as in “the rAIn in SpAIn falls mAInly on the plAIn,” creating a catchy, chant-like cadence. Consonance cleverly catches consonant echoes within and at the end of words, like the “l” in “faLLen LeaF.”

Crucially, classic alliteration centers on consonant concurrence at the commencement of words, contrasting with assonance and consonance yet connecting to these complementary components that contribute to captivating compositions.

Together, these devices enrich the auditory experience of poetry and prose. While alliteration focuses solely on initial consonant sounds, assonance and consonance enhance the overall sound effect, contributing to the rhythm, mood, and emotional resonance of a piece. Together, these devices enrich poetry and prose, helping to create more engaging literature.